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- Title
- (Iris)
- Description
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(Iris’) original collection in the Archive spans 8 years, 1978-1986, from ages 5 years to 12 years and 9 months. The full collection contains 1,544 items, which are reproduced on microfiche in the Reference Edition. (Iris’) work is full of people. Both the visual work and writing reveal a deep...
Show more(Iris’) original collection in the Archive spans 8 years, 1978-1986, from ages 5 years to 12 years and 9 months. The full collection contains 1,544 items, which are reproduced on microfiche in the Reference Edition. (Iris’) work is full of people. Both the visual work and writing reveal a deep sense of wonder about human activity, the internal life of people and the nature of relationships. (Iris’) figures are highly expressive, full of movement and emotion. (Iris) captures human qualities, like wickedness, in details of clothing, hairstyle and facial expression. Portraits of striking women appear throughout the work, some with mysterious, dream-like qualities. (Iris) also tells stories, first with drawings of favorite fairy tales, then writing her own. Houses also appear. Drawings of exteriors show an interest in structure and design, and cross-sections revealing the “story” of each room through furnishings and activities of characters. Houses also hold secrets, concealed staircases, and hidden treasure. Humor runs through the visual work and writing with a particular emphasis on mischief and trickery. Drawings made with marker and pencil predominate. The line is quite varied, and color ranges from vibrant to drab. Painted landscapes and perspective appear later. (Iris) uses a form, the arch, for multiple purposes. It appears as window, door, face, and repeated pattern. (Iris’) writing begins as simple journal entries about school, friends and family. Over time it expands to include poems and other reflective pieces on time, change, history, war and peace, and the natural world. There are also lengthy serialized stories. Conversation, and especially dialogue, dominates the writing during (Iris’) fifth year (age 9). Stories read like scripts. In the later years, poetry becomes a means of expressing complex moral/philosophical ideas concerning human nature, which remains a persistent interest for (Iris).
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- Title
- (Leo)
- Description
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(Leo’s) original collection in the Archive spans 10 years, 1975-1985, ages 4 years and 11 months to 14 years and 8 months. The full collection contains 1,907 items, which are reproduced on microfiche in the Reference Edition. (Leo) primarily used markers to create narratives in line, with color...
Show more(Leo’s) original collection in the Archive spans 10 years, 1975-1985, ages 4 years and 11 months to 14 years and 8 months. The full collection contains 1,907 items, which are reproduced on microfiche in the Reference Edition. (Leo) primarily used markers to create narratives in line, with color highlighting or adding to the action. Narratives are often adventures, voyages, journeys, or paths of discovery, including encounters with the unexpected. Mapping, large space, and distance are characteristic of the settings in which adventures occur, with copious detail and motion as well as extreme variation in the line unifying the work. (Leo) appears to be gathering, recording, and explicating experience. Treatment of scenes implies events preceding and following, as opposed to studies of single moments. Over the 10 years, (Leo’s) work evinces increasing interest in and capacity for control and precision of line and decrease in ambiguity about space and perspective. Cartooning begins to appear in year 5, linear perspective in year 6, humorous treatment of previously serious subjects in years 7 and 8, with more character study, less narrative, and increased range of mediums and of color and form in years 8 and 9. (Leo’s) early written stories are transcribed from dictation, often as captions for the adventure drawings. As he increasingly writes the stories down himself, he continues adventure stories in a variety of settings, often blending elements from history, folklore, or legend. He also writes descriptions, reports, and opinion essays. Humor permeates much of his writing (including word play, captioned cartoons, exploration of idioms). His later adventure stories are full of action and conflict, with detailed and descriptive language.
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- Title
- (Mick)
- Description
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(Mick’s) original collection in the Archive spans eight years, 1975-1983, ages five to thirteen. The full collection contains 2,511 items, which are reproduced on microfiche in the Reference Edition. (Mick’s) persisting preferences include multiple fields of action covering vast expanses,...
Show more(Mick’s) original collection in the Archive spans eight years, 1975-1983, ages five to thirteen. The full collection contains 2,511 items, which are reproduced on microfiche in the Reference Edition. (Mick’s) persisting preferences include multiple fields of action covering vast expanses, sometimes covering both sides of a large sheet of newsprint; overviews, often with huge sky and tiny figures; and cross-sectional views depicting actions on the surface of the water and below; in writing, stories may be told from two perspectives. Gesture and intensity is depicted in energetic activity with favored motifs being sports and physical activity including kickball, skiers, motorcyclists, soldiers, Vikings, explosions, bursts, and swirls of brilliant color. Action often exceeds the boundaries of the page and ground lines tend to be omitted. In counterpoint, there is a penchant for precision and detail as in maps, diagrams, football grids, insignia, uniforms, and equipment. In play with this attention to detail is an emphasis on practice in both visual and written work. Vikings have a storehouse for their supplies and practice their swordplay. (Mick) himself practices forms and shapes that serve multiple purposes: an extended “v” shape, upright or on its side used for the legs of kicks and the prow of a ship. Ships, houses, and trees recur across the collection. Writing about animals introduces most directly an element of sweetness that can be inferred elsewhere. Humor, verbal play, visual jokes, and verbal facility span the collection. Later works, especially landscape paintings, have a lyricism not visible earlier. Writing as a preferred medium takes off at age nine, producing adventure stories, drama, and descriptive writing.
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- Title
- (Neil)
- Description
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(Neil’s) original collection in the Archive covers 9 years, 1970-1979, ages 5 years and 2 months to 13 years and 11 months. The full file of originals numbers 324 visual items and 186 written items, which are reproduced on microfiche in the Reference Edition. (Neil’s) work is notable for these...
Show more(Neil’s) original collection in the Archive covers 9 years, 1970-1979, ages 5 years and 2 months to 13 years and 11 months. The full file of originals numbers 324 visual items and 186 written items, which are reproduced on microfiche in the Reference Edition. (Neil’s) work is notable for these persistent themes: mapping, overview and landscape; patterning, and schematics; machinery and equipment, both invented and realistic; mystery and hiddenness; adventure, conflict, and threats of danger; dwellings, both interiors and exteriors, home, representing safety and comfort; subtle humor running throughout work; deep interest in nature. Some enduring characteristics of his style include preference for line,particularly pencil; outline, but also selective and fine details and shading; humorous inventiveness both in machinery and people in costumes and poses; interest in tools and history; color used sparingly for emphasis; and rhythm and movement conveyed within compositions. An overall characteristic is his eye for detail and upbeat approach. Changes in his work are characterized by a growing variety and range of content; increased use of other mediums, including pastels and water color; bright colors, geometric design; a light, impressionistic touch, as well as realistic illustrations of texts; more writing: long travel/adventure narratives that end in safe refuge at home; story development with understated emotion, and dry humor.
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- Title
- (Sean)
- Description
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(Sean’s) collection spans nine years, 1971-1980, ages 4 years and 9 months to 13 years and 6 months. The collection contains 1,140 items, which are reproduced in full on microfiche in the Reference Edition. (Sean’s) work is marked by a spirit of experimentation, a sense of the artist himself as a...
Show more(Sean’s) collection spans nine years, 1971-1980, ages 4 years and 9 months to 13 years and 6 months. The collection contains 1,140 items, which are reproduced in full on microfiche in the Reference Edition. (Sean’s) work is marked by a spirit of experimentation, a sense of the artist himself as a medium, and continuing preoccupation with such ideas as transformation, doubleness, reversibility, magic, trickery, disaster and rescue, the hidden world, and befallenness. In visual work, (Sean) used every physical medium available, from paint to prints, photography, and sewing, with preference given to plain pencil. His experimental attitude is further visible in lots of reworking and preliminary and marginal sketches. He is a virtuoso of line; his rare use of color is charged. In both visual and written work, work within the same year veers from great sophistication to less accomplished pieces. Overall, he seems to privilege experimentation over finished statements. Figures are singular, generic. The eye and the self-portrait are two continuous, striking motifs in visual work. Mirroring, images within images (a hand drawing a picture), figure-ground ambiguity, and forms of trickery, punning, magic, and tantalizing/provocative ambiguity, often with an edge of sly humor, are characteristic. In writing, (Sean) also practiced many genres. Unnamed, singular characters and un-located events abound—the boy, the deer, the lady, the cowboy, the river. His language is spare and economical, with occasional stunning adjectives. Action consists of movement and progress is dream-like. Compositional structure is by repetition, recurrence, parallelism, alternation or reversals, which often confuse figure and ground. In the later years, a new lyricism appears, especially in watercolors of land- and seascapes, or, in writing, descriptions of nature.
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- Title
- (Virginia)
- Description
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(Virginia’s) original collection in the Archive spans 10 years, 1974-1984, ages 4 years and 6 months to 14 years. The full collection contains 2,185 items, which are reproduced on microfiche in the Reference Edition. (Virginia’s) work is notable for its high-intensity, high-detail depictions of...
Show more(Virginia’s) original collection in the Archive spans 10 years, 1974-1984, ages 4 years and 6 months to 14 years. The full collection contains 2,185 items, which are reproduced on microfiche in the Reference Edition. (Virginia’s) work is notable for its high-intensity, high-detail depictions of homes and other settings filled with light, and for the lavish, intricate, and colorful detail with which she adorns her figures and settings, both interior and exterior. Home and family figure largely and so do courts and royalty, fairy tale and myth. Relationships between people are expressed through varied body postures and facial expressions. Her writing is often bound up with her visual work, telling dramatic stories of home relationships, adventures, royalty and myth, lively with conversation. Works call to mind illuminated manuscripts, in their close connection between visual art and written expression. She was a prolific drawer, often with marker. The characterizations of her figures and the explicitness of the settings generally imply the telling of a story. Valuing of competence, in part conveyed by knowledgeable depiction of tools and in part by the artist’s own skill with various mediums, toughens the emphasis on drama and relationship, and humor heightens the spirit of the work. Decorative and functional detail grow during the first six years of the collection. The visual work becomes simpler thereafter, with more instances of a single girl in a setting in year 7 (age 11) and more variety of relationships and emotions around age 12. By age 13, there is overall simplification of content and design and work with a widening range of mediums. Fantasy decreases in the later writing, with more probing of deep feelings and big ideas, more personal reflection. Narrative increases in complexity, further extending richness of detail.
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- Title
- Ce sont les garçons d’alentour
- Description
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Song text from VFC1998-0007 Martha Pellerin Collection. MS2008-3095 Irma Labonté Songbook 1 of 1. Pp. 27-29.
- Title
- 1. Ants in His Pants
- Date Created
- 1998
- Description
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This collection includes 111 color cartoon images from the book Ants in His Pants. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105567
Giangreco, M. F. (1998). Ants in his pants: Absurdities...
Show moreThis collection includes 111 color cartoon images from the book Ants in His Pants. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105567Giangreco, M. F. (1998). Ants in his pants: Absurdities and realities of special education. Corwin. (out of print, 2019).
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- Title
- 1860 Train
- Title
- 1866 Centennial Celebration
- Date Created
- 1866
- Description
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Main Street
- Title
- 1er Communion
- Description
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Song text from VFC1998-0007 Martha Pellerin Collection. MS2008-3097 Unattributed Songbook 1 of 1. Pp. 5-9.
- Title
- 2. Flying by the Seat of Your Pants
- Date Created
- 1999
- Description
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This collection includes 105 color cartoon images from Flying by the Seat of Your Pants. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105460
Giangreco, M. F. (1999). Flying by the seat of...
Show moreThis collection includes 105 color cartoon images from Flying by the Seat of Your Pants. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105460Giangreco, M. F. (1999). Flying by the seat of your pants: More absurdities and realities of special education. Corwin. (out of print, 2019).
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- Title
- 20 below zero on Killington trail
- Description
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Both the attribution of the photo to Brehmer and the coloring to Beselers was followed by a question mark in the original title.
- Title
- 3 Huts on Couching Lion (Camel's Hump)
- Description
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"Couching Lion" is the previous name for Camel's Hump. Slide colored by Mrs. Perry in February 1929.
- Title
- 3. Teaching Old Logs New Tricks
- Date Created
- 2000
- Description
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This collection includes 101 color cartoon images from Teaching Old Logs New Tricks. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105357
Giangreco, M. F. (2000). Teaching old logs new tricks:...
Show moreThis collection includes 101 color cartoon images from Teaching Old Logs New Tricks. A digital version of the book with the cartoons in the order they were originally published is available at this link: https://cdi.uvm.edu/book/uvmcdi-105357Giangreco, M. F. (2000). Teaching old logs new tricks: Absurdities and realities of education. Corwin. (out of print, 2019).
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- Title
- 30 foot steel tower on Bolton Mountain
- Date Created
- 1921
- Title
- 30 foot tower on Bolton Mountain
- Date Created
- 1921
- Title
- 4-H Club
- Description
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1945 Winter Boys members of Minute Men of the 4-H Club with a large collection of newspapers loaded on a truck. Essex Junction
- Title
- 4-H Club
- Description
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1945 Winter Minute Men of the 4-H Club with large collection of newspapers loaded on a truck. Essex Junction
- Title
- 4-H Club
- Description
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1951/1952 Fall-Spring 4-H Club members gathered on the steps in front of Waterman Building, University of Vermont.